These are sounds from the recording of Come To This, not stems of the track.
In fact, this has tons of unused tracks and stuff. That’s what these sound-posts are for: letting people use these sounds to make something totally different.
Don’t use them to try and reconstruct Come To This, recontextualize them to do something else.
Come To This source tracks are Creative Commons Attribution 3.0 Unported

These are sounds from the recording of Partly Cloudy, not stems of the track.
In fact, this has tons of unused tracks. That’s what these sound-posts are for: letting people use these sounds to make something totally different.
Don’t use them to try and reconstruct Partly Cloudy, recontextualize them to do something else.
Partly Cloudy source tracks are Creative Commons Attribution 3.0 Unported

These are sounds from the recording of Console Zero, not stems of the track.
Don’t use them to try and reconstruct the music used to demo Console Zero, recontextualize them to do something else.
Console Zero source tracks are Creative Commons Attribution 3.0 Unported

These are sounds from the recording of Rise, not stems of the track.
In fact, this has tons of unused tracks and sections of edited-out final mix. That’s what these sound-posts are for: letting people use these sounds to make something totally different.
Don’t use them to try and reconstruct Rise, recontextualize them to do something else.
Rise source tracks are Creative Commons Attribution 3.0 Unported

These are sounds from the recording of kPlateB, not stems of the track.
Don’t use them to try and reconstruct the music used to demo kPlateB, recontextualize them to do something else.
kPlateB source tracks are Creative Commons Attribution 3.0 Unported

This is my video on how I made my Iso Cab, which I’m using on tracks.

I’m offering as many audio tracks made using this cab, as I can, but I also hope that if you have the chance, you can make one.

The idea here is that you can get ‘classic recording studio’ high volume amp tones (with maybe a little added reverb plugin) by making an iso cab, but instead of using it to cut out the volume, using it to CONFINE the volume inside the cab so the mic picks up a really intense, acoustically loud tone. I think it works quite well. It doesn’t cut down volume all that much, so build additional cabinets or place additional panels around the iso cab, with towel or cloth between them and the real iso cab, to get things more manageable.

These are sounds from the recording of Skronk, not stems of the track.
Don’t use them to try and reconstruct Skronk, recontextualize them to do something else.
Skronk source tracks are Creative Commons Attribution 3.0 Unported

These are sounds from the recording of CliffDiver, not stems of the track.
Don’t use them to try and reconstruct CliffDiver, recontextualize them to do something else.
CliffDiver source tracks are Creative Commons Attribution 3.0 Unported